This is Wes Anderson, director of upcoming The Grand Budapest Hotel. His instantly recognisable style is intriguing so we’re taking a closer look….
So some of his trade marks from IMDB:
Makes obsessive and comedic use of “rostrum camera” insert shots, foregrounding the minutiae of books and other documents.
Likes to shoot with extremely wide-angle anamorphic lenses that exhibit considerable barrel distortion.
Frequently uses a take/double take technique where he will show a character/action, quickly pan to another character/action, then pan back, usually with handheld camera.
Movies often focus around a broken or unorthodox family circle
At least one of his characters is usually a grown man seeking the approval of a parent or parent figure.
The titlecards are always in the font: Futura Bold, most commonly in yellow color.
A character giving a complex, lengthy explanation for humor
Unique ways of introducing a large cast of characters
Characters who are heavy on body language
Quirky themes of white middle-class and upper-class issues
Shots of the characters standing still and facing towards the screen with little to no emotion.
So that’s his style then. Now how many of these Wes films can you name??
…And as a director?…
Jeff Goldblum on working with Wes:“I’ve gone to other movies and the director will go, ‘Oh maybe you are wearing this,’ and I’ll go ‘That’s a good idea but how about this? What if I have a hat or a thing?’ With him you don’t do that. You go: ‘What do I get to do in this?’ And he goes: ‘Here’s the thing, here’s the thing, here’s the thing.’ And you go, ok, so, that’s what you sign-up for too. And his ideas are so good. And his taste is so good that you go: ‘Oh, yes please.’”
See The Grand Budapest Hotel at The Grosvenor cinema from March 7th.